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Although it does away with the stifling desolation that seemed to embody the latter half of the debut, the gloom and loneliness of the new LP runs deeper and less apparent than before, permeating through each track as more of a mere reminder rather than as a definition of the work. Though that is not to say that nothing new has been added - but only that the most recognisable distinctions of the duo have been left in place, in order to provide a more coherent framework for the experimentation that goes on across the 50-minute-odd runtime.Īnd experimentation is perhaps the most apt description. The dark, omnipresent, processed drum machines, Barrett’s distinctive ability for crafting memorable melodic passages, as well as the crushing, heavy dynamic shifts that were found so prevalently in the second movement of deathconsciousness. In many ways, the characteristic Have A Nice Life sound is left relatively unscathed. After what had undoubtedly been a burgeoning time frame for those involved since the initial release, it can be said joyfully that the changes, growths and analogues to be found on The Unnatural World present a myriad of new and engaging ideas across its (comparably short) run time. Given this background, it was of course only natural that the follow up to the much-revered debut would be met with some degree of anticipation. With a refinement of the original formula displayed fleetingly across its four tracks, fans held their breath waiting for what Dan and Tim would come up with for the newest full-length installment. While intentions where focused elsewhere for some time, fans where teased in late 2010 with the fantastic Time Of Land EP. In retrospect, it was perhaps the release of deathconsciousness that went on to represent for many what is not only now a classic record, but also the marking of the beginning of the wider enemies list musical ideology.
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Six years down the track, Barrett’s efforts with label ‘Enemies List’ and its associated side projects resulted in the full time investment of the charismatic Connecticut resident into its further maturation. Inaccessible to many thanks to the duo’s characteristically abject bleakness and startlingly desolate atmosphere, it went on to become an instant classic among the cult following that did manage to break through its considerable inscrutability. Listen to it loud.Have a Nice Life – The Unnatural World - Enemies List / The Flenser, 2014ĭan Barrett and Tim Macuga’s original gloom-filled masterpiece deathconsciousness managed to pique the interest of the collective interweb persona back in 2008, where an eager audience received the monolithic double-release with a certain trepidatious appreciation. In fact getting around to actually put my thoughts down has been a difficult task to accomplish.” – Last on Our Listĥ years after Deathconsciousness, Dan and Tim return with The Unnatural World, a tightly-wired exploration of the post-punk, industrial, and doom-fusion sound that they helped to popularize. “‘The Unnatural World’ by Have a Nice Life is quite possibly the most overwhelming album to have come out this year. “It’s literally flawless.” – Anti-Gravity Bunny The soundtrack to a slow sink into the ground.” – Decoy
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Plus drone, plus doom, plus cold-wave, plus post-punk, wintry yet intimate. “Have a Nice Life have perfected a sort of industrial shoegaze. “hums with the overblown quiver of industrial percussion, the gasps of desperate reverb, and distant, elongated, harmonized vocals.” – Alarm Magazine “For such dark music, The Unnatural World is addictively melodic. “…massive in its scope, with production that reflects the heft of the material more than ever.” – NPR Instead it moves, and moves others with it.” – Pitchfork “Sinuous instead of rigid, bloody instead of embalmed, the album refuses to be frozen in time or place.